HANUKKAH LAMPS in the LAMP COLLECTION of the JUDAH L. MAGNES MUSEUM, BERKELEY
| dc.contributor.author | Eis, Ruth | |
| dc.date.accessioned | 2025-07-16T01:42:00Z | |
| dc.date.available | 2025-07-16T01:42:00Z | |
| dc.date.issued | 1975 | |
| dc.description | "SUBMITTED TO THE DEPARTMENT OF ART AND THE GRADUATE SCHOOL OF LONE MOUNTAIN COLLEGE" | |
| dc.description.abstract | It may be concluded that the Hanukkah lamp, however varied in form, has been constant over centuries in its symbolism and usage. As a carrier of folk art it bears the mark of its surroundings, but not the mark of its maker. Undated, each lamp must be evaluated on the basis of circumstantial evidence. A small detail such as the use of a certain type of fastener may become a clue, or the time of discovery of a new process in metalworking or the invention of machinery can be marginal facts of importance. In this investigation, the basic objective has been to gather information through observation. The object represents an expression of artistic feeling. As such, it must be approached with an awareness of the human element invested in its creation. This awareness is an important ingredient in considering motivation (pride of family, of trade or occupation, gratitude to a gracious ruler, etc.) The human element, and our awareness of it as a bridge to the past, is perhaps what was meant by the philosopher, Henri Bergson: "Intuition can help us to grasp what is lacking in the data of intelligence." | |
| dc.identifier.uri | https://hdl.handle.net/20.500.11803/4267 | |
| dc.language.iso | en | |
| dc.publisher.institution | John F. Kennedy University (JFKU) | |
| dc.title | HANUKKAH LAMPS in the LAMP COLLECTION of the JUDAH L. MAGNES MUSEUM, BERKELEY | |
| dc.type | Capstone | |
| thesis.degree.discipline | [Museum Studies] | |
| thesis.degree.grantor | John F. Kennedy University (JFKU) | |
| thesis.degree.level | Masters | |
| thesis.degree.name | MASTER OF ART |